Tuesday, March 17, 2009
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Date: March 23, 2009
Location: South St. Seaport Museum, New York, NY

AAAC education programs will be featured at Cool Culture on March 26 at South St Seaport Museum called Crafting the Teachable Moment. Come and experience AAAC culturally diverse approach to art education. Or book a tour of AAAC gallery directly through aaacinfo@artspiral.org You can become conscious of what is learned visually, intuitively.

Go here for more information on Cool Culture. Look out for latest updates on our website.
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Thursday, March 5, 2009
Tibetan Thangka Paintings Exhibition (Extended)

**The exhibition of Tibetan Thangka Paintings is extended towards the end of March!**

JANUARY 26 - MARCH 31, 2009

The exhibition of high quality Tibetan Thangka paintings will be on view during this festival. The dates of the exhibition are January 26 till March 13, 2009. Thangka paintings usually depict deities and saints, aspects of the life of the Buddha, as well as the more abstract Mandalas, astrological charts, medical descriptions and scenes, usually serving as a supplementary aid to religious educational development. They are meant as focal elements for visualization, meditation and contemplation. A talk by Lama Tenzin Yignyen is expected at the opening reception.

For further information, see under Current Exhibition at www.artspiral.org.
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Sunday, March 1, 2009
Abstractions and Contractions at LumenHouse

(click image to enlarge)

Abstractions and Contractions
Curated by Eun Young Choi

March 7 – March 29, 2009
Opening reception: Saturday, March 7, 2009,  6 - 9pm

Exhibiting Artists:
Lisha Bai, Ivin Ballen, Ethan Greenbaum, Geujin Han, Benjamin S. Jones, Sandra Eula Lee, Zaun Lee, Aurora Robson, Aili Schmeltz, Sun You

47 Beaver Street, Brooklyn, NY 11206  718.942.5395  lumenhouse.com
Gallery Hours: Sat & Sun 12 – 6pm and by appointment
(J,M train to Flushing Avenue stop)

Abstractions and Contractions brings together ten exciting artists whose work deal with the complex process of creating varying degrees of abstract work. The word abstraction may bring to mind the act of considering something as a general characteristic, a secret removal, or an unrealistic and visionary idea. Contraction may refer to a shortening or thickening of muscle fibers, a stage in wound healing, or a decrease in economic growth. Although they are two very different words the result of abstracting or contracting something may converge on some common ground, an end product that is more constricted, reduced, and condensed yet more compelling, expanded and intensified.

Abstraction in art may refer to work that seem detached and uninvolved on the one end and emotionally charged and lyrical on the other. It exists along a continuum where the departure from realistic depiction can be slight to complete. The artists in Abstractions and Contractions examine color, line and form from their surroundings like the hills of Los Angeles, vinyl kitchen floors, Formica countertops, Lego blocks, and toilet paper rolls to compose fascinating compositions that transform the ordinary into an interplay between the real and the surreal while referencing a long history of abstract art.

Abstractions and Contractions is part of an annual exhibition program sponsored by the AHL Foundation and is being hosted by Lumenhouse this year. The AHL Foundation was established to support cultural and artistic events with the purpose of building a wider public awareness of the contributions of Korean-American artists to contemporary art. It aims to discover talented artists and provide them with an opportunity to further their creative activities by providing grants and exhibitions. While the Foundation concentrates most of its resources to build awareness and support for artists of Korean descent, the goal of this exhibition is to foster the exchange of ideas between artists of Korean and non-Korean heritage and to nurture all underrepresented artists at large regardless of their cultural background.  For additional information please visit www.ahlfoundation.org.

This exhibition is made possible through the generous support and sponsorship of AHL Foundation, a 501 (c)(3) not-for-profit organization. Additional support provided by NYC Department of Cultural Affairs, Korean Cultural Services NY, and Lumenhouse.

For more information about the exhibition please contact Eun Young Choi at eyc2000@gmail.com
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