Showing posts with label Performing/Literary Arts. Show all posts
Showing posts with label Performing/Literary Arts. Show all posts
Wednesday, July 2, 2014
SPOTLIGHT: MOTHPOETICA by Russell C. Leong

蛾 Mothpoetica
Poetry of Moth, Man, & Migranti

"For him the earth remains flat, not round
A narrow island of fate and misfortune.
The migrant skims a torn map,
A moth unfolds its wings flying
Apart from East to the West...."
                                Russell C. Leong "Moth"





MOTHPOETICA is a spoken word performance collection conceived, written and enacted by the veteran awardwinning-writer, editor and professor Russell C. Leong (梁志英)


MOTHPOETICA is modeled after the persona of a New York City fast-food delivery man and brings together the worlds of moth, man, myth, and migrant captured in a lyric, humorous, and often soulful performance reading.  

Together with the opus poem "Moth" Leong includes other original poetic works which span Southeast Asia and the Chinese diaspora in his readings.  

"Moth" debuted at Bob Holman's Bowery Poetry Club in New York City in June 22 2014.

Themes of MOTHPOETICA range from getting a haircut in a bullet-riddled barbershop to love, sexuality and AIDS; from Asian migration to urban insurrections; and race, class, martial arts.  For his readings, Leong often works with local musicians and artists including Lorin Roser of NYC, Lei Mo in Nanjing, and others in Los Angeles and Beijing.  

ARTIST:
RUSSELL C. LEONG is a spoken word artist, writer, editor, and university professor.  He has read poetry and given literary talks internationally at venues in Los Angeles, Beijing, Nanjing, Taipei, Kaoshiung, Kobe, San Francisco, and New York.  He was one of 50 U.S. poets featured in Bob Holman's five-part PBS series, "The United States of Poetry,"  and reads and speaks in the Annenburg Media Series on American writers. 

Leong received the American book award for "Phoenix Eyes and Other Stories," and the PEN Josephine Miles award for "The Country of Dreams and Dust." Leong, born in San Francisco Chinatown, received his formal education at San Francisco State College, Taiwan National University, and UCLA.  He has taught at UCLA, University of Hong Kong, University of Kansas, and Hunter College (CUNY) New York. 

CONTACT for readings, performances, talks and workshops:
Schools, art centers, and other venues contact the writer for availability and locale. Special rates for non-profits,and schools.

Russell Leong 梁志英

Phone: 213-479-2148  E-mail: tai88chi@gmail.com


Reviews & Presentations of Russell C. Leong's Literary Work:

Los Angeles (LA Times)
"Leong always shows us how memory and identity persist even in the melting pot of America..his acute powers of observation and his poet's gift for capturing the experience of transcendence are given full expression in the pages of Phoenix Eyes."

Educational:  Annenburg Learner Express (N. Scott Momaday and Russell Leong)

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Monday, April 21, 2014
Film Screening of "Cambodian Son" on April 27!


Asian American Arts Centre is excited to co-sponsor the screening of Cambodian Son, winner of "Best Documentary" at the San Francisco CAAMFEST 2014. The NYC screening will be held at Mist Harlem (46 West 116th Street) on Sunday, April 27, 2014. This event will include a reception and a Q&A with the director, Masahiro Sugano. Please check the flier below for more information. 

Sponsored by Immigrant Defense Project, Families for Freedom, & Asian American Art Centre.





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Thursday, May 3, 2012
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Celebrating Asian Pacific American Heritage Month
Radical Women Meeting 

"Invisibility is an Unnatural Disaster: 
Reflections of an Asian American Woman" 
 
Date: Thursday, May 24th, 2012
Time: 7:30PM
Location:
Freedom Hall, 113 W. 128th St.

This special meeting will feature an open discussion of this title work by feminist activist and author Mitsuye Yamada. The essay reflects the double invisibility based on being both Asian and a woman. A survivor of the U.S. internment of Japanese Americans during WWII, Yamada makes a powerful statement on the intersections of race, gender, and national identity.

A Pan-Asian dinner will be served at 7pm (donation $8). Door admission free.

Freedom Hall, 113 W. 128th St., Harlem. Between Malcolm X Blvd. (Lenox Ave.) and 7th Ave. Subways #2 or 3 to 125th St. For more information, call (212) 222-0633 or email nycradicalwomen@nyct.net. Childcare provided. Wheelchair accessible. 
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Digimovie at Exit Art: "CENTURY OF BIRTHING"

Introduction and post-screening Q&A with Lav Diaz
Part of Corporal Histories: Lav Diaz's Epic Philippine Cinema 
Saturday, May 5 at 1:15 PM






Dir. Lav Diaz, 355 minutes, 2011, Philippines, In Tagalog and English w/ English subtitles.Screening includes two 15-minute intermissions.

Telling two seemingly unrelated tales, CENTURY OF BIRTHING is a grand meditation on the roles of the artist, the prophet and the acolyte. The first story focuses on Homer (Perry Dizon), a filmmaker who has spent years working on his latest opus — and still isn’t happy with it. Hounded by friends, co-workers and festival programmers to finish the damn thing, he resists every entreaty, countering a programmer’s pleas to send him the film with, “I don’t make films for festivals, I make them for cinema.” The second story concentrates on a Christian cult in a rural region — a group largely comprised of young women (referred to as “virgins”) and dominated by its charismatic leader, Father Turbico (Joel Torre). When one of the longest-standing members strays, the impact is catastrophic for both her and the cult. Told almost entirely in long takes that are alternately transfixing, claustrophobic and penetrating, CENTURY OF BIRTHING boasts exquisite black-and-white imagery. Indeed, it may be Diaz’s most entrancing film to date — and it’s certainly his most personal.
 


Synopsis courtesy of Toronto International Film Festival 2011.

For more info, go to www.exitart.org


**Please note that while this event is free and open to the public, our regular $10 admission fee will apply to the screening of Century of Birthing that begins at 1:15 PM. Audience members who are planning to attend the conversation and stay for the screening are encouraged to purchase their tickets to the screening on our website or in our lobby before the discussion.
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Saturday, February 25, 2012
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Performance artist Li Ning turns his life into art in this epic work of experimental documentary. For five grueling years, Li documents his struggle to achieve success as an avant-garde artist while contending with the pressures of modern life in China. He is caught between two families: his wife, son and mother, whom he can barely support; and his enthusiastic but disorganized guerilla dance troupe. Li’s chaotic life becomes inseparable from the act of taping it, as if his experiences can only make sense on screen. Tape shatters documentary conventions, utilizing a variety of approaches, including guerilla documentary, experimental street video, even CGI. The film captures a decade’s worth of artistic aspirations and failures, while breaking new ground in individual expression in China.
Synopsis courtesy of dGenerate Films.

Official Selection, International Film Festival Rotterdam
Official Selection, Beijing Independent Documentary Film Festival
Official Selection, MoMA Documentary Fortnight

“A riveting portrait of an artist’s attempts at expression and conflicts with societal norms.”
– Museum of Modern Art

Tickets are $10 general admission and are available for purchase at the box office 30 minutes prior to each screening or anytime on Exit Art's website HERE

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Friday, November 18, 2011
Film Screening: "A Village Called Versailles"

A/P/A Institute at NYU presents
A story of community activism and environmental justice in post-Katrina New Orleans...
“A Village Called Versailles”

Film Screening and Talk with filmmaker Leo Chiang and Scholar Julie Sze, UC Davis













Winner of the Audience Award at the San Francisco International Asian American Film Festival and New Orleans Film Festival, “A Village Called Versailles” is filmmaker Leo Chiang’s feature documentary about Versailles, an isolated community in eastern New Orleans that has been settled by Vietnamese refugees since the late 1970s. In the aftermath of Hurricane Katrina, Versailles residents impressively rise to the
challenges by returning and rebuilding before any other flooded neighborhood in New Orleans, only to have their homes threatened by a new government-imposed toxic landfill just two miles away. The film recounts the empowering story of how this group of people, who have already suffered so much in their lifetime, turns a devastating disaster into a catalyst for change and a chance for a better future.

Following the film, Julie Sze, Associate Professor of American Studies at University of California at Davis and author of Noxious New York: The Racial Politics of Urban Health and Environmental Justice will be in conversation with Chiang about the broader issues of race and environmental justice covered in the film affecting Asian American communities.
Friday, Nov 18th
Cantor Film Center
36 East 8th Street
Theater 101
6:30PM-9:30PM

RSVP: Online Here or email
apa.rsvp@nyu.edu, or Call 212-992-9653

Talk and demonstration is FREE and open to the public.

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Wednesday, August 17, 2011
Enemy Alien: Confrontation with detention regimes of past and present.


As the 10th anniversary of 9/11 arrives, Alwan for the Arts is presenting a screening of Enemy Alien (outreach/education version, 60 minutes) followed by a discussion of the film's themes of shared struggle between Muslim and Japanese Americans in the face of wartime xenophobia and racism, and how this solidarity can inspire an effective response to the massive expansion of immigrant detention and deportation which has continued from 9/11 to this day.

Enemy Alien, a first-person documentary, is the gripping story of the fight to free Farouk Abdel-Muhti, a gentle but indomitable Palestinian-born human rights activist detained in a post-9/11 sweep of Muslim immigrants. Told through the eyes of the filmmaker, the grandson of Japanese Americans interned during World War II, this documentary takes on unprecedented intimacy and historical resonance. 

As the filmmaker confronts his own family legacy of incarceration, his involvement in the current struggle deepens. Resistance brings consequences: In retaliation for organizing a massive protest from inside detention, Farouk is beaten and locked in solitary confinement, and his American-born son Tarek is arrested in a counterterrorism investigation into the documentary itself.


A project of Life or Liberty
Directed by Konrad Aderer

Thursday, September 8
7:00pm
16 Beaver Street
Manhattan, NYC
 
(via http://enemyalien.org )
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Wednesday, June 1, 2011
Kim Loo Sisters Screening on May.31, 2011

The film screening of Kim Loo Sisters: Portraits In Four Part Harmony was held on Tuesday, May 31th 2011 at the Houston Street Center at University Settlement. A discussion/q&a of the film with the director Leslie Li was followed after the screening.

For more information, see press release.



Discussion with the author and filmmaker Leslie Li
Discussion with the author and filmmaker Leslie Li
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Wednesday, June 30, 2010
The Last Empress and the Publisher: America and the Birth of Modern China

Date: Jul 21, 2010 | 6:30pm to 8:30 pm
Location: Asia Society, 725 Park Avenue, New York

Authors Hannah Pakula (The Last Empress: Madame Chiang Kai-shek and the Birth of Modern China) and Alan Brinkley (The Publisher: Henry Luce and His American Century) will talk about the complex ties between American publishing giant Henry Luce and the charismatic Chinese leaders Madame and Generalissimo Chiang Kai-shek. The discussion will be moderated by Orville Schell, Arthur Ross Director of the Center on US-China Relations.
(via http://www.asiasociety.org/)
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New York Asian Film Festival at Lincoln Society of Film Center (Walter Reade Theater)

Date: June 25 to July 8, 2010
Location: Walter Reade Theater, 165W 65th Street, New York
The New York Asian Film Festival is held at the Walter Reade from June 25 to July 8. The festival presents the latest and greatest pop masterpieces including blockbusters from Thailand to Taiwan, romantic comedies from China, mutant battle girls from Japan, kung fu epics from Hong Kong and tourist-eating giant pig movies from Korea.
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