Showing posts with label #POC. Show all posts
Showing posts with label #POC. Show all posts
Thursday, July 20, 2017
Fatal Love; Lucid Dreams and Distant Visions

This summer the Queens Museum in conjunction with the Asia Society’s Lucid Dreams and Distant Visions: South Asian Art in the Diaspora hosted a three-day event that brought together renown South Asian American artists, academics, and curators. The symposium, titled Fatal Love: Where are We Now?, celebrated contemporary South Asian American art and explored issues concerning the South Asian American diaspora.

Photo by Bob Lee
This event was not the first the Queens Museum hosted. Back in 2005, the museum hosted a very similar event, called Fatal Love: South Asian American Art Now. This symposium was created and curated as a response to the increased policing of South Asians in the post-9/11 era and the growing South Asian American artistic community. Since then, there have been significant changes in the South Asian American community and art world. Fatal Love: Where are We Now?, as its title indicates, asks and answers where the South Asian American artistic community is now, twelves years later. It is a sequel to the first Fatal Love, yet also the first of its kind: delving into new, interesting topics.  

Photo by Bob Lee

This year’s three day event held back-to-back performances, panels, and lectures, all of which were recorded and can be viewed on the Queens Museum’s YouTube page. Day 1, which was held at the Asia Society, included an introductory speech by those who made this even possible a panel discussion called Double Duty: Agency and Cultural Production. The following two days were held at the Queens Museums and included panels discussions from sculpture and photography to public art and queer theory. These panels were not only about the art pieces, but larger issues at hand.

Photo by Bob Lee
In addition to these panels and performances, the open exhibit included works by Shahxia Sikander, Kanishka Raja, and Jaret Vadera and many more. Furthermore, AAAC has exhibited various artists from this exhibit including Chitra Ganesh, Mariam Ghani, Vandana Jain, Naeem Mohaiemen, and Zarina. These artists used different mediums and engaged in different dialogues.

Shahzia Sikander, Eye-i-ing Those Amorial Bearings, 1989-97, vegetable, dry pigment, tea on wasli paper.

Add caption Kanisha Raja, I and I (TRANSLATE); SW1, 2015-16, handwoven cotton thread, hand embroidered silk, acrylic pain, and UV-cured solvent-based inks on cotton.
Jaret Vardera, Emperor of No Country, 2016, print on fabric. 
Fatal Love accomplished -- most spectacularly -- in bringing together artists, curators, academics, and the public to have a rich and engaging dialogue about the issues confronting the South Asian American community, particularly in light of the recent 2016 presidential election. It is an event the Queens Museum should continue to host in the coming years, as they should continue to ask: Where are We Now?
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Monday, April 10, 2017
Chinatown and the Department of Cultural Affairs Collaborate at the Florentine Music School

On April 1st, The Florentine Music School and the New York City Department of Cultural Affairs (DLA) facilitated an event that allowed Chinatown and the DCLA to collaborate together, in order to evaluate the Cultural Plan, and hopefully inspire local community members to create a cultural plan of their own.

Aside from bridging the gap between locals and officials, the event also provided the Asian American Arts Centre to promote the People's Cultural Plan. Bob Lee, who attended the event, explained that  it is important for officials and locals to be given a proper amount of time to communicate, and to form a cultural plan that satisfies both parties.

We thank DCLA and The Florentine Music School for facilitating the event, and for providing a space where two seemingly different communities are able to communicate and collaborate.


Participants
An Attendee Begins to Recite Poetry and Songs, Both in English and Chinese, for Five Minutes Straight

Olympia Moy (Right) and City Council Woman Margaret Chin (Left)
Ms. Chin Not Only Participated, but Also Stayed Throughout the Entire Event

*All photographs were taken by Bob Lee
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Thursday, April 6, 2017
Rally for the Arts!!


On April 3rd, an assortment of artists gathered at New York City Hall in order to protest against Donald Trump’s plan to exterminate all outlays for the National Endowment for the Arts (NEA), the National Endowment for the Humanities (NEH), the Corporation for Public Broadcasting (CPB), and the Institute of Museum of Library Services (IMLS).

A View From the Outside
Photo by Baie Rogers
Inside
Photo by Bob Lee
As explained in a previous post about the NEA, the Federal Budget in 2016 was approximately $3.871 trillion; both the NEA and the NEH spent around $148,000,000 within the budget, which is, according to Washington Post’s Philip Bump, is only 0.03% of the overall budget — The NEA gave $14.5 million to 419 groups in New York City last year. However, Trump’s administration still wants to relocate money away from domestic (art) programs, and towards security and defense  — the proposed budget increases the two departments by $54 billion overall. 

The Rally to Save the Arts united a wide spectrum of artists who represent both the visual and performing arts: independent artists, the Asian American Arts Centre, the Actor’s Equity Association, New York Musician’s Union, and The Poetry Society of New York are some examples. 


Chuck Yeun, Whose Work is Featured in the AAAC's Permanent Collection, Attended the Rally
Photo by Bob Lee
Dion Chen Supporting the Actor's Equity Association
Photo by Bob Lee
DANCE EDUCATION FOR EVERY CHILD!
Photo by Baie Rogers
There were also some highly prestigious guest speakers, such as Queens Councilman and chair of the Cultural Affairs Committee, Jimmy Van Bramer. “President Trump’s budget is an unprecedented and vicious assault on the arts, the humanities, libraries,” he said. “President Trump talks a lot about making America great again, but you can never make anything great again by crushing its soul.”
Sami Shumays (Left): Founder and Director of Zikrayat -- Peter Koo (Right): Councilman (D-Flushing)
Photo by Bob Lee
Former Talking Heads frontman David Byrne also spoke at the Rally. He viewed Trump’s plan from a more economic lens. “You may hate the arts. You may hate the stuff that people paint and the theater that they do, but do you want to lose all those jobs? Do we want to kill this part of the economy? That’s just completely stupid.” He extends his argument in a self-written blog post, entitled What Good Are the Arts?:
“A recent study called Arts and Economic Prosperity found that nationally the non-profit arts (we're not talking about Broadway shows, pop concerts, video games, movies or the art world) generates $135.2 BILLION in economic activity in the US… In 2013, the production of arts and cultural goods added more than $704 billion to the U.S. economy. This amounts to 4.23% of GDP. The arts and cultural sector contribute more to the national economy than do the construction, agriculture, mining, utilities, and travel and tourism sectors.”


ALTERNATE FACTS
Photo by Bob Lee


City Council Speaker Melissa Mark-Viverito recalled the cultural impact the arts had left on her. “I came here at the age of 18, but my mother made it a point to take us to museums, to take us to the theater.” She later added, “Art and culture enhanced my life, gave me a perspective, an understanding of the world we live in, of our collective wellbeing, that we are not in this alone. That we can reach across the aisle and learn about other cultures, create a sense of understanding and camaraderie.”
SAVE THE ARTS Written in Five Languages: English, Spanish, Chinese, Korean, and Scottish Gaelic
Photo by Baie Rogers
The Protester Who Held the Sign SAVE THE ARTS in Five Languages
Photo by Baie Rogers
Actress Ciara Renée defended the arts by highlighting it’s more psychological impact. She said that the arts is a “collaboration of what is with what can be” and a “connection to something higher and more powerful than any stagnation or destruction and abundance, a surplus…Does that sound bad to you?” she said. “So it’s a wonder why the powers that be wanna take an ax to it, stop it in its tracks when it’s already placed at the bottom of the totem pole of existence?”

Jelani Remy, who portrays Simba in Broadway’s The Lion King, contributed his own personal stories relating to how important the arts were to him as a kid. He then lead the crowd, outside City Hall, in a rendition of “Over the Rainbow.” 

"Below is a picture of a high school senior who, when asked which of the arts she attributed to saving her life, she said, 'The visual arts.' I had a feeling that I had just taken a picture of the most profound sign at the Rally. So, let me thank Sara(h) for taking her picture." -Bob
ART SAVED MY LIFE
Photo by Bob Lee 
To quote Jimmy Van Bramer, "He [Trump] has come for artists and the cultural community today but first, the president came after Mexicans, then Muslims, then immigrants—including the undocumented—then it was the trans youth of our country, then the health of millions of Americans with Trumpcare and now he comes for us. But he was defeated on Trumpcare, wasn’t he? Because of rallies just like this. People taking to the streets saying that we will not accept this, this is not who we are. We are better than this.

National Priorities Statistics: https://www.nationalpriorities.org/budget-basics/federal-budget-101/spending/


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Friday, March 31, 2017
Louis Chan Exhibits Work at Pearl River Mart

Louis Chan, an Asian American photographer, exhibited his work at the Pearl River Mart. "The larger-than-life pictures from out latest artist-in-residence," Pearl River Mart's official blog states, "explore New York City immigrants' live in America through their possessions and how they display them."

Photo by Bob Lee

Photo by Bob Lee
"Founded in 1971, Pearl River Mart is an eclectic emporium where you can find one-of-a-kind Asian-inspired home furnishings, fashion and everything in between. A beloved destination for people from all over the globe, Pearl River has become symbolic of the uniqueness, authenticity and multi-culturalism of New York City." 

To read an official interview with Louis Chan, conducted by Pearl River Mart: https://www.pearlriver.com/blogs/blog/louis-chan-artist-in-residence-explores-homes-and-belonging

For more information about Pearl River: https://www.pearlriver.com
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The Asian American Arts Centre is proud to provide the final version of the People's Cultural Plan! It will be officially made for public view soon.

It is important to note that everything posted on our blog pre-dates this version.

The People's Cultural Plan for Working Artists and Communities in New York City

Inequity in arts and culture is a persistent problem in New York City. The worsening climate of fear, intolerance, and fascism, especially affecting immigrants and people of color, must be countered with more than lip service in support of “diversity”: Only by implementing true equity in all city policies will the most vulnerable be protected from the multiple crises facing our communities.
Displacement and dispossession (also known by the euphemism “gentrification”) are the greatest threats to culture in NYC, because culture is rooted in place, and skyrocketing rent threatens to displace working class black communities and communities of color, working artists, and underfunded arts organizations. The contracting of real estate development firms James Lima Planning + Development and BJH Advisors LLC as NYC Cultural Plan consultants indicates that yet again, arts and culture are being used as a Trojan Horse to usher in still more displacement and dispossession. We demand a plan that calls for the elimination of these pro-developer policies and rezonings, for an immediate rent freeze, and for the development of more just rent control policies at the State and City levels.

The exclusion of artists and workers of color and the exploitation of artists and low- wage workers has always been a threat to culture in NYC. But in combination with the housing crisis, that threat is compounded, pushing most artists, especially those who are working-class people of color, elders or disabled, close to their breaking point. From low-wage workers servicing museums, to underpaid administrators of nonprofit organizations, to the unpaid labor of artists—workers across the supply chain contribute to making the arts a multi-billion dollar industry. We demand a plan that insures truly equitable inclusion (not tokenization) of artists and cultural workers of color, equitable and adequate wages, employee benefits, job protection, and upward mobility for all artists and cultural workers.

Cultural funding is among the most inequitably distributed resources in NYC, and the policies of the Department of Cultural Affairs (DCLA) exacerbate that inequity by giving nearly 60% of its funding to Manhattan alone out of the five boroughs, and almost 80% of its funding to only 33 of the 1,000+ organizations funded. Inadequate funding to oppressed and exploited communities – and austerity in public services generally – operates in tandem with real estate development schemes to displace communities; inadequate funding to small and POC-run organizations makes it difficult to pay adequate wages and artist fees. We demand a plan with generous and equitable public cultural funding that directs all increases in DCLA funding to the neighborhoods, organizations, and artists who need it the most, rather than to institutions that are already receiving generous allocations, many of which are not adequately serving the communities they purport to.

We, the people, a multi-racial coalition of artists, culture workers and tenants from the many neighborhoods of NYC, demand a cultural plan with concrete policies to: 1. End displacement and dispossession in NYC; 2. Insure truly equitable inclusion of artists and cultural workers of color & equitable wages for all artists and cultural workers; 3. Distribute public funding equitably; and 4. Commit to rectifying the documented history of neglect, disinvestment and theft from communities, organizations, and artists of color in NYC, by investing new funds for these groups and supporting their self- determination. We further demand that changes in funding and housing policies be subject to community control – that the neighborhoods to be affected by policy changes determine the specifics. The most crucial component of equity is equity in power and in decision-making, and we will accept nothing less.

Because we recognize that indigenous communities, black communities and all communities of color have been disproportionately disenfranchised through historically unjust policy making at the municipal, state, and federal levels, as well as through the de facto funding priorities of private philanthropy, we call on the DCLA to endorse and support all of the following demands in its Cultural Plan for New York City, and we call on The State and City of New York to implement the necessary legislation that will lead to true equity for all New Yorkers.
As a sanctuary city, any cultural plan for New York must be supportive of the lives an contributions of tribally-enrolled indigenous people, black communities, communities of
color, and immigrants.
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Thursday, March 23, 2017
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Hello!

During these next few days, the People's Cultural Plan are hosting a series of community events, throughout New York City, pertaining to #WeCreateNYC #CreateEquityNYC, the People’s Cultural Plan, town halls being coordinated by arts/cultural groups as well as many feedback events (both live and virtual) being offered by #CreateNYC. 

Here is an official statement from the People's Cultural Plan for Working Artists and Communities in New York City:

The People's Cultural Plan 
for Working Artists and Communities in New York City

Inequity in arts and culture is a persistent problem in New York City. The worsening climate of fear, intolerance, and fascism, especially affecting people of color, must be countered with more than lip service in support of diversity: Only by implementing true equity in all city policies will the most vulnerable be protected from the multiple crises facing our communities. As a sanctuary city, any cultural plan must be supportive of the lives and contributions of communities of color and immigrants.

Displacement and gentrification are the greatest threats to culture in NYC, because culture is rooted in place, and skyrocketing rent threatens to displace working class black communities and communities of color, working artists, and underfunded arts organizations. The contracting of real estate development firms James Lima Planning + Development and BJH Advisors LLC as NYC Cultural Plan consultants indicates that yet again, arts and culture are being used as a Trojan Horse to usher in still more gentrification and displacement. We demand a plan that calls for the elimination of these pro-developer policies and rezonings, for an immediate rent freeze, and for the development of more just rent control policies at the State and City levels.

The exploitation of artists and other low-wage workers has always been a threat to culture in NYC, but in combination with the housing crisis, that threat places most artists, especially those who are working-class people of color, close to their breaking point. From low-wage workers servicing museums, to underpaid administrators of nonprofit organizations, to the unpaid labor of artists—workers across the supply chain contribute to making the arts a multi-billion dollar industry.  We demand a plan that insures equitable and adequate wages and employee benefits and protections to artists and workers in the field of culture, and additional supports to artists and workers of color

Cultural funding is among the most inequitably distributed resources in NYC, and the policies of the Department of Cultural Affairs (DCLA) exacerbate that inequity by giving nearly 60% of its funding to Manhattan alone out of the five boroughs, and almost 80% of its funding to only 33 of the 1,000+ organizations funded. Inadequate funding to poor neighborhoods – and austerity in public services generally – operates in tandem with real estate development schemes to displace communities; inadequate funding to small and POC-run organizations makes it difficult to pay adequate wages and artist fees. We demand a plan with generous and equitable public cultural funding that directs all increases in DCLA funding to the neighborhoods, organizations, and artists who need it the most, rather than to institutions that are already receiving generous allocations, many of which are not adequately serving the communities they purport to.

We, the people, demand a cultural plan with concrete policies to: 1. End displacement and gentrification in NYC; 2. Insure equitable wages for artists and cultural workers; 3. Distribute public funding equitably; and 4. Provide additional supports to communities, organizations, and artists of color, to begin to rectify the documented history of neglect and disinvestment for these groups in NYC. 
We further demand that changes in funding and housing policies be subject to community control – that the neighborhoods to be affected by policy changes determine the specifics. The most crucial component of equity is equity in power and in decision-making, and we will accept nothing less. 


Contact: peoplesculturalplan@gmail.com
The calendar link below will provide information pertaining to the the scheduled events, such as the National Endowment for the Arts Rally, on April 3. Here is the link to the full schedule:

https://wecreatenyc2017.tumblr.com/post/157627917755/a-calendar-for-us-to-use

The calendar will continually be updated by the People's Cultural Plan.

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Saturday, January 7, 2012
Rinku Sen Workshop


Interactive Organizers Workshop led by Rinku Sen, Executive Director of the Applied Research Center, focused on developing a racial justice framework and building multiracial alliances within the Occupy Wall Street movement. 

On December 14th. A long awaited, major event supported by PoC was held at the Spokes Council and billed as a special training event to provide OWS activists with a racial justice lens as a frame for organizing in the future. This was the key speaker and organizer of the event, Rinku Sen, Executive Director of the Applied Research Center, focused on developing a racial justice framework and building multiracial alliances within the Occupy Wall Street movement. There were over 400 people in attendance. She and her partner presented very concise ideas and the room broke up a couple of times into small discussion groups.

This workshop will probably be repeated, because it is very much needed to expand on the ideas that wee presented. Currently, the issues of the role of people of color and the decades of experience that they have as communities that have been exploited has yet to evolve the role that they need to play in OWS. Clearly, 99% indicates the major message that OWS has succeeded in getting the message across about economic inequality, but it does not reflect the racial question nor the tradition of the superiority of white civilization. The functioning mechanisms of OWS are deeply involved in this question so that it can reflect a new vision of people of color, their culture, and their place in American society.



Audience members at Rinku Sen workshop. Held at the Winston Unity Hall at 23rd St.


Enthusiastic audience members during the workshop.


Questions about Organizers Workshop
Nayantara Sen, Associate Trainer: senn@arc.org
POCcupy Your Block: poccupyyourblock@gmail.com

More Information
Rinku Sen & OWS visit http://colorlines.com/occupy and http://rinkusen.com/
Applied Research Center visit www.arc.org and www.colorlines.com
Occupy Your Block visit www.occupyyourblock.org
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